The production is adapted from the Shahnameh, an Irian epic poem published in 1010. Nine performers and 483 shadow puppets play against stunning animated projections in this epic. Created and directed by Hamid Rahmanian, the cast of actors, puppeteers and handmade puppets create a spectacular experience that advances themes of love, unity and collaboration. The Song of the North is a testament to the rich cultural heritage of Persia, the Shahnameh and its timeless relevance.

On World Cancer Day, experts from diverse fields were joined by 264 registrants and 149 live viewers to learn about how and why collaborative, interdisciplinary approaches improve outcomes for cancer patients.

The Djavad Mowafaghian Foundation

What is the Donor Spotlight? The Donor Spotlight is our way of recognizing and celebrating the incredible individuals and foundations who contribute to the success and vibrancy of Bard on the Beach. Through these spotlights, we aim to share the stories and motivations behind the generosity of our donors, fostering a deeper connection within our Bard community. Each spotlight not only highlights the dedication of our supporters, but also serves as an inspiration for others who share a passion for the arts.

For decades, the Djavad Mowafaghian Foundation has been a champion of education and the arts. Since their first commitment to supporting Bard in 2016, they have helped thousands of students experience the transformative power of live theatre through their funding of Bard’s Student Matinees. What’s more, their support has steadily grown in this time, underscoring their dedication to what we do. We recently delighted in the opportunity to sit down with Hamid Eshghi, President and Director of the Djavad Mowafaghian Foundation, and Margaret Thomson, the Treasurer of the Djavad Mowafaghian Foundation, to learn more about the Foundation’s tireless investment in the community and specific interest in Bard.

Bard: What inspired the Djavad Mowafaghian Foundation to support Bard on the Beach?

Hamid: Our foundation’s mandate is rooted in education, and Bard on the Beach fits beautifully within that. I was very impressed by the way Christopher Gaze was able to create a festival that could be enjoyed by anybody of any background. Margaret and I made the decision that Bard would be a wonderful place to support as it provided a different form of education to the community. The arts challenge us, teach us, and allow us to see the world from different perspectives. That is why Bard has remained important to us.

BOTB: Why do you think it’s important for the private sector and foundations to support the arts?

Margaret: We believe in supporting organizations where we see a real impact. Bard is a place where people come together, where you can be present, and where students can grow an interest in Shakespeare outside of the classroom. We wanted to ensure that this continues, especially for students who might not otherwise have access to live theatre. Seeing how Bard connects with young people and fosters a love for the arts made our decision easy.

Hamid: The arts, unfortunately, are often the first thing to face funding cuts. We see it time and time again. It’s not always viewed as a necessary part of society. That’s why private support is so crucial. We wanted to step up in a way that would make a lasting difference—not just for today, but for future generations.

BOTB: Why do you believe access to the arts is important for young people?

Margaret: Education isn’t just about sitting in a classroom—it’s about experiencing the world. When students come to Bard, they aren’t just watching a play; they’re engaging with history, literature, and human emotion in a way that speaks to them. Even for students who may not understand every word of Shakespeare, they connect with the performances on an emotional level. That is what makes it so special.

Hamid: With all the negativity that is in the news, I believe art can be a medicine. It is something every human needs; it has healing powers!

Speaking from personal experience, as someone who’s second language is English, the Shakespearean language is untouchable. No matter where you come from and what your primary language is, Bard on the Beach ensures you can still enjoy it and connect to it. Even text that is 500-800 years old, every story still has relevance. We want to be able to provide this universal experience to more people.

BOTB: What’s one piece of advice you’d give to someone considering getting involved in arts philanthropy?

Margaret: If that’s something you’re already considering, you should choose Bard on the Beach! For us, helping bridge that gap for students so the schools and families don’t have to pay a higher fee upfront to experience theatre and make it more accessible is something that’s very important to us. It’s important to bring everyone into that community in a way that’s not burdening on the parents.

The generosity of the Djavad Mowafaghian Foundation is felt across the Bard community, from the students experiencing their first Shakespeare play to the seasoned theatre-goers who return year after year. Their dedication to education and the arts exemplifies the profound impact that visionary philanthropy can have on a cultural institution. We are deeply grateful for their generosity and belief in Bard’s mission, which ensures that future generations will continue to be inspired by the power of live theatre. Their commitment helps Bard remain a place of learning, creativity, and connection for many, and for years to come.

In a heartfelt ceremony held in March 2025, Hamid Eshghi was recognized with the prestigious King Charles III Coronation Medal. This medal is a way to honour those whose tireless work often goes unrecognized, but whose influence is felt by many.

The commemorative medal was created to mark His Majesty King Charles III’s Coronation on May 6, 2023 and highlights themes that King Charles III and Canadians hold dear, including service, the environment, sustainability and our great Nation’s diversity.